As to be expected, this royal film performance was far grander, a full orchestra playing as the movie was shown to an aged Victoria and her guests.
Despite their early eagerness to embrace the new medium, it was to be some years before there was another 'royal film performance'.
Almost two decades later, on August 4th 1916, Marlborough House once again played host to the world of cinema when, within the splendours of the State Dining Room, the dowager Queen Alexandra enjoyed a private viewing of Cecil Hepworth's movie, Coming Through The Rye.
A year later, Hepworth was enjoying yet more royal patronage when he visited Buckingham Palace for the first command performance of a film before a reigning sovereign.
Here, King George V (no great fan of the Arts) and Queen Mary were treated to a private showing of Tom Brown's Schooldays.
The Royal Command Performance (latterly
renamed The Royal Film Performance) which we've come to know so well
officially began in the post-war days of 1946 when King George VI and
Queen Elizabeth (the Queen Mother), accompanied by their increasingly
glamorous daughters, Elizabeth and Margaret, watched David Niven and
Marius Goring in A Matter of Life and Death.